Getting creative, clever and cozy: Home lighting designers and companies inspired in recent times
=Designers and lighting companies have been busy coming up with new ways to hold a light bulb and project light, and winter is a great time to explore their latest solutions.
Some are inspired by the skies overhead. Others by style eras, from Deco to disco. Still others are working with interesting materials around which to build a lamp.
“There’s a growing world of lighting that’s so much more than the glass globe on a stem,” says designer Ted Bradley of Boulder, Colorado. He cites fresh, sculptural forms: “When done right, they both capture our attention as standalone sculptures and fill the space around them with beautiful, high-quality light.”
A look at what’s new:
Bradley sees a trend toward nature-inspired objects and spaces. “It’s something deeply rooted in all of us,” he says.
Two that he’s been drawn to recently: John Pomp’s Tidal Chandelier, and Ochre’s Moonlight Murmuration. “They’re fascinating, both in their form and the techniques required to make them.”
Pomp is a Philadelphia furniture and lighting designer who’s also a glassblower and surfer. His collections of glass pendants, chandeliers, sconces and lamps look like blown bubbles, chunks of ice, swelling waves. The Tidal fixture perches sculpted amoeba-like glass pieces on hand-forged brass stems to create an organic canopy.
In Murmuration, the British design firm Ochre conceptualizes the phenomenon of birds swooping through the sky in mesmerizing, cloud-like formations. Dozens of LED-lit solid glass drops are suspended from a white canopy to look as though they had been caught in mid-flight at night.
Bradley’s own Samsara fixture suspends white porcelain rings from a brass spine, evoking the rib cage of a sun-bleached whale skeleton. Other configurations he’s devised suggest the bowing branches of a snow-covered aspen tree, a raptor’s nest, a constellation.
“I aim to capture a moment of beauty in the natural world, and bring it to life,” he says.
Loving the limelight
Etsy trend expert Dayna Isom Johnson sees a rise in interest in “statement lighting” — sculptural pendants, standout sconces, snazzy shades with lots of wow factor. She cites more searches for ’70s-era lamps, decorative lighting, vintage fixtures and colorful pieces.
Statement lighting, she says, “allows folks to spotlight their homes, while doubling as eye-catching artwork.”
Designers of lighting fixtures are getting creative with materials, including fiber, porcelain, glass, fabric, paper and metal.
Some statement lighting has a cosmic vibe. The constellation style comes in configurations big and small, with sticks of LEDs arranged to suggest starry skies.
CB2’s Savina pendant is an alabaster orb with swirls that resembles a planetary gas giant.
And British designer Lee Broom’s Crescent collection includes suspended lighting with illuminated acrylic spheres bisected to reveal a brass interior, as though a futuristic space station were opening its door. Broom’s Eclipse fixture melds an acrylic circle with a mirrored one, like two moons meeting.
Peter Bowles, who with son Charlie runs Original BTC, was one of the first to use bone china in lamp-shade design, over 30 years ago in Oxfordshire, England.
“The potter he approached initially thought he was crazy, as they’d only ever made tableware and similar products — never lighting,” says Charlie Bowles.
But he says something special happens when the material meets light.
“Bone china appears pure white once it’s fired, but then gives a lovely warm soft glow when lit,” he says. “Despite its challenges and reputation for being a tricky ceramic to work with, the end result speaks for itself – it’s versatile, fun to design with, and the light you get is soothing and can positively affect your mood.”
This year, the studio introduced Shard, a circular chandelier of handmade tiles, and Pebble, an elegant ceiling fixture formed of dozens of pieces of bone china, polished like river rocks and fastened to form a kind of mineral cocoon.
Arteriors has a collection of pendants crafted from materials like wooden beads, raffia and plant fibers. A pendant called Jana, for example, was inspired by traditional thatched roofs; brown wicker fringe creates a playful, textured fixture, suspended on an antique brass chain. The Jemai table lamp has a charcoal-hued base formed from ricestone, a fine gravel. The stacked asymmetrical forms create a groovy ’70s vibe.
Stories in light
Spanish designer Maria Fiter, in Barcelona, uses pulped newsprint, water-based glue, and natural earth pigments to create imaginative lightweight pendants inspired by the solar system, animal shapes, cartoon characters.
Designer Pascale Girardin in Quebec, Canada, was inspired by childhood memories of picking petals off flowers to create her Love Me Not pendant, for Juniper. The dramatically scaled fixture, composed of hand-formed acrylic petals suspended by cables from a matte white canopy, has a romantic, ethereal vibe.
Lampshades are a great way to introduce an artsy element — and you can usually pop one onto a base you already have.
Bespoke Binny, designer Natalie Namina’s London studio, has a collection of African wax-printed drum shades with bold patterns and colors.
Carla Regina and James Andrew, who run Regina Andrew Detroit in Michigan, say sconces have been on the uptick with their clientele.
Besides providing light, sconces are wall art and “can quickly transform and update a room,” Regina says.
Their Happy sconce has two white light balls perching playfully atop a smile-shaped tubular base in nickel, rubbed bronze or brass. Their Gotham sconce pairs a sleeve of alabaster with Art Deco brass trim – it’s evocative of that era, yet classically modern.
France & Son’s matte-black Serge sconce is a reproduction of the classic mussel-shaped Serge Mouille midcentury fixture.
Inspired by antlers she saw while visiting Jackson Hole, Wyoming, designer Beth Webb had an antler cast in resin and transformed into the Jackson sconce, with a white linen shade and nickel backplate.
Apartment dwellers take heart; there are many plug-in or battery-operated sconces that don’t need to be hardwired; just attach them to the wall and use a remote. Schoolhouse, AllModern,
The Scandinavian trick of using low-level and indirect lighting indoors at this time of year works well because it keeps us attuned to the outdoors.
“It’s more about embracing winter’s natural light, and working to amplify it on those darker days,” says interior designer Clare Gaskin in London.
She suggests wall and pendant fixtures with reflective interiors to create ambience. Brass or copper give a lamp’s bulb a warm glow.
Create islands of light in a space for working, relaxing or doing both at different times of day.
New York-based writer Kim Cook writes regularly about homes and design for The AP. She can be reached on Instagram @kimcookhome.