‘Tuesday,’ with Julia Louis-Dreyfus, is strange, emotional and fiercely original
Death has taken many forms in cinema. It’s been Bengt Ekerot. Ian McKellen. John Cleese. Even Brad Pitt with blonde highlights. But in “Tuesday,” filmmaker Daina O. Pusic’s bold, fantastical and affecting debut, death looks like a lot like a macaw that’s seen better days. Covered in ...